if it doesn’t feel right, we shouldn’t be doing it

This is an interesting article written by the editor of Newsweek International, Fareed Zakaria. He follows capitalism in the 20th Century all the way to present day and breaks down how it seems to keep getting worse, but some things are actually getting better because we learn from our mistakes. There needs to be a fundamental shift in ourselves as human beings that ends the madness that we’re currently experiencing (and re-experiencing). Those who do not learn from history…yadda, yadda, yadda…

“…there needs to be a deeper fix within all of us, a simple gut check. If it doesn’t feel right, we shouldn’t be doing it. That’s not going to restore growth or mend globalization or save capitalism, but it might be a small start to sanity.”

– Fareed Zakaria | Editor, Newsweek International

A great side experience that came out of this article is that Newsweek chose to use the work of a Brooklyn collage artist, Mark Wagner, who’s website is www.smokeinmydreams.com. He uses the dollar bill as his primary subject/medium when creating his work.

He is intense and amazing. He also is on the board of Booklyn Artists Alliance, an organization in Greenpoint, Brooklyn dedicated to the art of making books and printing. More on them here at www.booklyn.org

faces in places

This is a beautiful site called facesinplaces.blogspot.com of found pictures, mostly on Flickr, of found faces in inanimate objects. Pretty cool. Found it on the Huffington Post with other fun websites.

from my friends

I have great friends. My friends Aaron & Gayla and their beautiful daughter, Zaeda, fill my life with love and warmth. They are also huge cheerleaders when it comes to encouraging my artistic journey. They made a wonderful gift of pesto and bbq sauce for a closing present for soloNOVA, and I thought I’d share the quote they put into the note attached to the gift:

“Have you ever risked economic security? Have you ever risked a belief? I see nothing particularly courageous about risking one’s life. So you lose it, you go to your hero’s heaven and everything is milk and honey ’til the end of time. Right? You get your reward and suffer no earthly consequences. That’s not courage. Real courage is risking something that might force you to rethink your thoughts and suffer change and stretch consciousness.”

– Tom Robbins, Another Roadside Attraction

i’m back

Two years ago, I stopped writing on this blog. A lot’s changed in the past two years. I got a girlfriend, I got a second cat, my girlfriend moved in with me, I quit my job, I got another job that consumed all my time (I learned a lot in that year), I returned to what I love doing, and I started another job that will afford me to continue doing what I love doing.

I’ve decided to start blogging again because:

a) I have the time again.

b) I think I was taking the wrong approach to this a couple years back – namely, I was over thinking what I wrote here and taking too much time publishing.

c) Now, I’m interested in how the social interaction of the internet affects my work as an artist.

Since this is the first time I’ve jumped on to this account after such a long time, I’m noticing some changes Blogger has enabled, namely the video feature seems much easier to use, so I’ll probably try that out someday. Too, I’m finding that a couple people have posted comments that I’ve recently discovered. Good comments, too. So, I’ve approved them.

The main comment that deserves attention is one from atogcheese@hotmail.com. He wrote: “Hi there. I’m a feeder, and I feel moved to point out to you that feedism is >not<>FEEDER: A Love Story, the story has undergone quite a massive overhaul. It use to be a solo monologue that I performed at the 2005 soloNOVA Arts Festival, and then I met some women who asked me some tough questions.

This post will explain what I chose to do next.

Luckily, one of those women, Janie Martinez, was gracious enough after a mutual friend of ours, David Anzuelo, signed on to direct the new version of the play, to give great notes on the ins and outs of feederism and the play. Thanks to these amazing people, I’m viewing the story from a very different angle. Most importantly, the new character of Jesse, Noel’s wife, now tells her side of the story, and the two of them have multiple scenes in which they interact with each other. The other major change is that Noel does not journey with Judith Angel, the play’s antagonist, across the country in a van after kidnapping her to teach her a lesson. It’s a very different direction, and I’m planning on having a public showing of it in the New Year. I hope you’ll join me for the next incarnation of FEEDER: A Love Story in 2009.

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On another note – I also want to share a few fun links every day. They may or may not be associated with the subject at hand, but they are things that I find interesting and fun. I hope you’ll find them fun, too.

Today, I’m posting some links to Jessica Hische’s work. She’s a young illustrator/graphic designer/typographer based here in NYC. She just did a huge spread in the NY Times highlighting 2008 Buzzwords. Her website is very cool as is her blog.

trashcan paintin’

Last Saturday, I was wandering around the parks in Brooklyn, and ended up meeting two of my favorite people, Belle & Bhagvati, in Carroll Park. They answered an email call to arms to paint a trash can and beautify the park. As you can see, Bhagvati took the “call to arms” a little too seriously. Belle’s below Bhagvati there…paintin’ pink petunias! (I think they’re actually lilies or something.) You can check out more of Belle’s work at www.bellebenfield.com


Belle’s foot.

Flies on the trash can…of course!

All in all, it was a grand afternoon. I got sunburned on the top of my head, but it was worth it, hangin’ with friends and watching them have the best time.